Writing Portfolio

Books

Diurnal

After a series of miscarriages followed by the tragic loss of her infant son, a grieving mother reaches a breaking point, and forces her son’s name and identity upon the surviving twin daughter. Thirty years later, the daughter must reconcile who she really is with the person she tried to be to soothe her troubled mother.


Scratching for Something

Scratching for Something is a collection of prose poems that explore the deepest, funniest, grittiest, and most mysterious aspects of our humanity.


Original Plays

The Snow Dome (ten-minute play)

  • Public Staged Reading, Naked Angels Theatre Company and Out of The Box Theatrics, 154 Christopher Street, New York, NY (January 2024)

Awards & Fellowships

  • 2024 ScreenCraft Cinematic Short Story Competition, Quarterfinalist for My Pretty.
  • 2023 ScreenCraft Cinematic Short Story Competition, Quarterfinalist for Diurnal.
  • 2019 The Westchester Review Flash Fiction Contest, Honorable Mention.
  • 2002 Bingham Writing Fellowship, awarded by Columbia University.
  • 2001 Electronic Literature Awards, shortlisted.
  • 2001 Shuster Award, for an outstanding Master’s degree thesis for the year 2001, selected from all disciplines in the School of Arts and Sciences at Hunter College.
  • 2001 Fellowship – Byrdcliffe Artist Residency 
  • 2000 Academy of American Poets Prize, at Hunter College.
  • 1998 Forbes Foundation Grant, towards the publication of Scratching for Something.

Publications

Articles


Electronic Literature & Ephemera

Story Machine Studio

Story Machine Studio is my new tech playground where I experiment with story creation using generative AI and other emerging technologies.


The Minotaur Project

“The Minotaur Project” is a four part poem, which reimagines the mythological Minotaur as a combination of human and machine. Each canto explores the Minotaur’s struggle to craft an identity that reconciles its human and machine selves.

“Canto 1: The Cartesian Chant of Making,” is made up of three layers. The top layer consists of six couplets that fade in and out, one line at a time. The final line breaks the pattern, appearing alone. The couplets are laid out in three columns. The narrow middle column displays a stanza consisting of flickering 1s and 0s. 

The second layer is a 6 x 6 grid of couplets. When the reader mouses over a grid square, the artist’s digitally altered voice reads the couplet and the square momentarily fades to reveal a third layer–a photograph of the artist’s ear combined with a computer’s circuit board. This underlying layer can only be seen while listening. When the cursor moves, the square becomes opaque and thus, the hybrid human/machine body is always partially obscured.


The New York Press Project

Prose poems published in Scratching for Something, were first published, anonymously, on the back page classified ad section of the New York Press, a free alternative weekly newspaper in New York City. The project created intimate, surreal moments in the context of the everyday.


The New Disease

Published 2003 – 2004, this fictitious online medical journal featured a collection of stories that examined the internet’s potential to become a breeding ground for psychogenic disease and misinformation.

The project was the collaborative effort of writers Devin Booth and Kim White and designer Michael McCaffery.